Last night, I found myself having an interesting conversation on the porch of this place. I was talking with a young man studying at the Fashion Institute of Technology. He complimented me on my outfit, and we traded assessments of the state of young people and self-expression, with particular regard to the fashion scene in Manhattan.I told him that if you incline toward an interest in style or decorative arts, it’s important to keep independent fashion designers in business. It could, justifiably, be argued that over-attention to the way in which one experiments with clothing is frivolous and issues from economic privilege. I don’t really ascribe to that mindset, though. The way in which people live through the fabrics and colors that they put on their body really interests me. Style is a mediator for the content of the spirit. Furthermore, relegating the practices of style and grace to a sphere that is distinct from, say, music creation, writing, cooking, practicing medicine, or other ways in which human expression takes shape creates a culture that devalues the small, the everyday. Everybody must get dressed in the morning, just as everybody must eat food. We do not have a choice over these things - and that, I think, is why they are worthy of as much consideration as the movies, music, and forms of healing with which you choose to engage.
I was hanging out in Manhattan’s West Village last October and happened to come across a beautiful sidewalk market. A man who works for the designer of this piece had set up shop; that photo, and the website from which it came, does not do justice to the regard for innovation, creativity, and functional practicality exemplified by the skirts, sweaters, and dresses I saw (… gawked at) hanging on the racks.   The fact that I still remember the name of the designer after having had a very brief exchange with one of her employees a few months ago says a lot, too, I think. I might be a little more attuned to this kind of thing than most, just because I find it really fun. But there’s something more to it than that, a greater humanist sort of thing, and that crossover point between expressiveness and humanism is something that never ceases to amaze me.

Last night, I found myself having an interesting conversation on the porch of this place. I was talking with a young man studying at the Fashion Institute of Technology. He complimented me on my outfit, and we traded assessments of the state of young people and self-expression, with particular regard to the fashion scene in Manhattan.

I told him that if you incline toward an interest in style or decorative arts, it’s important to keep independent fashion designers in business. It could, justifiably, be argued that over-attention to the way in which one experiments with clothing is frivolous and issues from economic privilege. I don’t really ascribe to that mindset, though. The way in which people live through the fabrics and colors that they put on their body really interests me. Style is a mediator for the content of the spirit. Furthermore, relegating the practices of style and grace to a sphere that is distinct from, say, music creation, writing, cooking, practicing medicine, or other ways in which human expression takes shape creates a culture that devalues the small, the everyday. Everybody must get dressed in the morning, just as everybody must eat food. We do not have a choice over these things - and that, I think, is why they are worthy of as much consideration as the movies, music, and forms of healing with which you choose to engage.

I was hanging out in Manhattan’s West Village last October and happened to come across a beautiful sidewalk market. A man who works for the designer of this piece had set up shop; that photo, and the website from which it came, does not do justice to the regard for innovation, creativity, and functional practicality exemplified by the skirts, sweaters, and dresses I saw (… gawked at) hanging on the racks. The fact that I still remember the name of the designer after having had a very brief exchange with one of her employees a few months ago says a lot, too, I think. I might be a little more attuned to this kind of thing than most, just because I find it really fun. But there’s something more to it than that, a greater humanist sort of thing, and that crossover point between expressiveness and humanism is something that never ceases to amaze me.